Normally, people would assume weddings, graduations, and recognition ceremonies.
Subsequently the thing was said legomenon as well as done, and the dromenon was on its way to becoming the drama. The Ecstasies of Love and War, pg.
The stage has long been the site of tragedy and something much darker — ritual invocation, all the way back to the ancient Greeks and Romans.
For Greece and Rome, the stage was sacred, where the dramaturgical interactions of the gods were actually a form of magical invocation. The actors donned the costumes of the gods, with the playwright scripting the narrative to inculcate the masses into the appropriate morals of the state.
The intention of these sacred dramas, we may be sure, was neither to amuse nor to instruct an idle audience, and as little were they designed to gratify the actors, to whose baser passions they gave the reins for a time. They were solemn rites which mimicked the doings of divine beings, because man fancied that by such mimicry he was able to arrogate to himself the divine functions and to exercise them for the good of his fellows.
The operations of nature, to his thinking, were carried on by mythical personages very like himself; and if he could only assimilate himself to them completely he would be able to wield all their powers. Bacchanalia of Andreas This is probably the original motive of most religious dramas or mysteries among rude peoples.
The dramas are played, the mysteries are performed, not to teach the spectators the doctrines of their creed, still less to entertain them, but for the purpose of bringing about those natural effects which they represent in mythical disguise ; in a word, they are magical ceremonies and their mode of operation is mimicry or sympathy.
We shall probably not err in assuming that many myths, which we now know only as myths, had once their counterpart in magic; in other words, that they used to be acted as a means of producing in fact the events which they describe in figurative language.
Ceremonies often die out while myths survive, and thus we are left to infer the dead ceremony from the living myth. If myths are, in a sense, the reflections or shadows of men cast upon the clouds, we may say that these reflections continue to be visible in the sky and to inform us of the doings of the men who cast them, long after the men themselves are not only beyond our range of vision but sunk beneath the horizon.
Is the Shakespearean stage a Renaissance and Hermetic transformation of the old religious stage? Numerous rites accompany passing the domestic threshold — a bow, a prostration, a pious touch of the hand, and so on.
The threshold has its guardians — gods and spirits who forbid entrance both to human enemies and to demons and the power of pestilence. It is on the threshold that sacrifices to the guardian divinities are offered.
Here too certain paleo-oriental cultures Babylon, Egypt, Israel situated the judgment place. The threshold, the door show the solution of continuity in space immediately and concretely; hence their great religious importance, for they are symbols and at the same time vehicles passage from one space to another.
Also sounding like business as usual is that Tamar was roundly vilified by both the press and the defense team led by Jerry Gieslerand Dr. George Hodel was acquitted. The Black Dahlia was recruited by a daughter of a rich and connected doctor for a ritualistic slaying in an underground walk-in vault beneath the home, her death, dismemberment and missing organs facilitated by drugs and participated in by members of a cult engaged in satanic worship.
Bogey discovers secret porn and drugged women in The Big Sleep. While noir would not be a place one would expect esoteric symbolism The Big Sleep was actually referencing a topic completely taboo to the audience of the day — sex, drug and ritual. In The Black Dahlia, a secret flop house that resembles it can be seen above, where the porn was filmed, later to be followed by a grizzly occult murder.
In The Black Dahlia, a wealthy family is involved in the ritual crime, bringing to mind the rituals performed in the estates in Eyes Wide Shut and 9th Gate. The metanarrative ritual film in Lost Highway.
And these forces being summoned then act upon those in close proximity. This will provide the key to understanding the blue key Betty is given that unlocks the blue box in Club Silencio. Writer Craig Heimbichner sees the entire complex of Hollywood like Oz, calling to mind the most well-known film of all time, The Wizard of Oz.
Heimbichner sees Oz as an occult allegory of Tinseltown itself: Zombies rise in the morning, watch morning TV shows, scan the newspapers and receive new programming, go to work, and come home to passively watch more programming.
If the zombies have an original thought, it is almost invariably a selfish one.
But the absurdity is even the selfish thought reflects the cradle-to-crypt programming from the television, that other Eye of Set. Such shadow-players are the true OTO Templars, the real magicians whose wand of hypnosis exorcizes the powers of reason, and whose smoke-and-mirrors show obscures the true nature of the game.
The Zohar relates in 3: Aza and Azael are phonetically related to Oz. Employing gematria, the branch of Kabbalah devoted to numerological obsession, Oz relates to This analysis is now redone and in print.Like no other book before it, this work delves into the deep, dark and mysterious undertones hidden in Tinsel town’s biggest films.
Esoteric Hollywood is a game-changer in an arena of tabloid-populated titles. After years of scholarly research, Jay Dyer has compiled his most read essays, combining. An adequate analysis that does justice to the facts, however, will completely disclose these complications.
Forgetting impressions and experiences shows the working of the tendency to keep unpleasantness from recollection much more clearly and conclusively than does the forgetting of names.
Hypnotism was not my first choice as a counseling tool. I, like many I know, went the traditional counseling route before entertaining any thought about hypnosis. Analysis and mental criticism is the opposite of the mental relaxation you want to create.
Just as muscle tension is the opposite of physical relaxation, mental work such as rationalization and analysis is the opposite of mental relaxation. Hypnotism in crime, either for the commission or solution of criminal acts, is very closely related to the possible use of hypnotism in warfare.
|The Ecstasies of Love and War, pg.|
|Hypnosis is a state of mind and suggestion is the formation of an idea. We use suggestion within the hypnotic state and, indeed, we use suggestion to create the hypnotic stateor trance, as it is sometimes known.|
|SHARE Hypnosis is, perhaps, one of the most misunderstood and controversial methods of psychological treatment. The truth is that stage hypnotism is essentially a theatrical performance and has about as much in common with bona fide clinical hypnosis as many Hollywood movies have with real life.|
The only possible way of determining whether or not a subject will commit a murder in hypnotism is . The connection between hypnotism and the frontal lobe comes as no surprise to those who understand the technique.
Hypnosis, by design, bypasses the frontal lobe as it .