The most notable one is the Okonkwo has with his father Unoku.
As a result, he behaves rashly, bringing a great deal of trouble and sorrow upon himself and his family. Read an in-depth analysis of Okonkwo. Okonkwo continually beats Nwoye, hoping to correct the faults that he perceives in him. Influenced by Ikemefuna, Nwoye begins to exhibit more masculine behavior, which pleases Okonkwo.
Read an in-depth analysis of Nwoye. Their relationship is atypical—Ezinma calls Ekwefi by her name and is treated by her as an equal. Okonkwo rarely demonstrates his affection, however, because he fears that doing so would make him look weak. Furthermore, he wishes that Ezinma were a boy because she would have been the perfect son.
Read an in-depth analysis of Ezinma. Brown institutes a policy of compromise, understanding, and non-aggression between his flock and the clan. He even becomes friends with prominent clansmen and builds a school and a hospital in Umuofia.
Read an in-depth analysis of Mr. Brown, Reverend Smith is uncompromising and strict. He demands that his converts reject all of their indigenous beliefs, and he shows no respect for indigenous customs or culture.
He is the stereotypical white colonialist, and his behavior epitomizes the problems of colonialism. He intentionally provokes his congregation, inciting it to anger and even indirectly, through Enoch, encouraging some fairly serious transgressions.
Uchendu receives Okonkwo and his family warmly when they travel to Mbanta, and he advises Okonkwo to be grateful for the comfort that his motherland offers him lest he anger the dead—especially his mother, who is buried there.
Uchendu himself has suffered—all but one of his six wives are dead and he has buried twenty-two children. He is a peaceful, compromising man and functions as a foil a character whose emotions or actions highlight, by means of contrast, the emotions or actions of another character to Okonkwo, who acts impetuously and without thinking.
The prototypical racist colonialist, the District Commissioner thinks that he understands everything about native African customs and cultures and he has no respect for them. He plans to work his experiences into an ethnographic study on local African tribes, the idea of which embodies his dehumanizing and reductive attitude toward race relations.
By the standards of the clan, Unoka was a coward and a spendthrift. He never took a title in his life, he borrowed money from his clansmen, and he rarely repaid his debts. He never became a warrior because he feared the sight of blood. Moreover, he died of an abominable illness. On the positive side, Unoka appears to have been a talented musician and gentle, if idle.
He may well have been a dreamer, ill-suited to the chauvinistic culture into which he was born. The novel opens ten years after his death. Ekwefi ran away from her first husband to live with Okonkwo. Ezinma is her only surviving child, her other nine having died in infancy, and Ekwefi constantly fears that she will lose Ezinma as well.
Ekwefi is good friends with Chielo, the priestess of the goddess Agbala. Brown, early on, keeps Enoch in check in the interest of community harmony, Reverend Smith approves of his zealotry. Ogbuefi Ezeudu was a great warrior in his youth and now delivers messages from the Oracle.
Chielo is a widow with two children. In so doing, however, Akunna formulates an articulate and rational defense of his religious system and draws some striking parallels between his style of worship and that of the Christian missionaries.
Nwakibie thereby helps Okonkwo build up the beginnings of his personal wealth, status, and independence. Maduka wins a wrestling contest in his mid-teens. Okonkwo wishes he had promising, manly sons like Maduka. Although Obiageli is close to Ezinma in age, Ezinma has a great deal of influence over her.
Okonkwo beats Ojiugo during the Week of Peace.1: Behold, what manner of love the Father hath bestowed upon us, that we should be called the sons of God: Joh.
therefore the world knoweth us not, because it knew him not. 2: Beloved, now are we the sons of God, and it doth not yet appear what we shall be: but we know that, when he shall appear, we shall be like him; for we shall see him as he is.
Whenever Okonkwo feels uncomfortable it drives him to anger, just as how his shame at the mockery of his father made him angry when young. And when he is angry he loses control and gets violent.
Ikemefuna relationship to Okonkwo is like a father-son relationship because he really didn’t care about anyone else like he cared about Ikemefuna but he really didn’t want to act or show like cared for him because it would make him seem soft or weak like he couldn’t be the man in charge.
Nwoye is Okonkwo’s eldest son who Okonkwo considers irredeemably effeminate and very much like his father, Unoka.
As a child, Nwoye is the frequent object of his father’s criticism and remains emotionally unfulfilled. Eventually, Ikemefuna comes to fill that void and Nwoye, in his adoration of his adoptive brother, begins to emulate him. LitCharts Teacher Editions. Teach your students to analyze literature like LitCharts does.
Ikemefuna is taken care of by Okonkwo, and quickly becomes like a son to Okonkwo; Ikemefuna even calls Okonkwo father. Ikemefuna behaves like an ideal clansman, and becomes close to Nwoye, mentoring him as an older brother.
Eventually, Umuofia's elders consult with the oracle whom declares that Ikemefuna must die.